Theatrical Aesthetics and Transatlantic Representation in Robert Hunter’s Androboros
This essay argues that New York governor Robert Hunter’s 1715 play Androboros relies on a theatrical aesthetics that transcends dramatic form. Even though the play was never performed, its dramatic narrative still focuses on the body-on-stage, and negotiates the contingency that characterizes the co...
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Materiálatiipa: | Artigo |
| Giella: | Inglês |
| Almmustuhtton: |
Société d'études anglo-américaines des XVIIe et XVIIIe siècles
2017
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| Liŋkkat: | https://doi.org/10.4000/1718.832 https://hdl.handle.net/20.500.13089/8fl6 https://journals.openedition.org/1718/832 |
| Fáddágilkorat: |
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