Sergueï Loznitsa et Peter Snowdon, post-cinéastes
« Since the Arab revolutions, the moving image […] belongs to everyone. It’s up to us – not to filmmakers, but to all of us – to make the films that will keep that true. »C’est par ces mots que se referme le premier essai théorique de Peter Snowdon consacré aux vidéos du Printemps arabe. Prémices d’...
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| Formato: | Chapter |
| Idioma: | Francês |
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Presses universitaires du Septentrion
2022
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| Acceso en liña: | https://doi.org/10.4000/books.septentrion.131281 https://hdl.handle.net/20.500.13089/78fo https://books.openedition.org/septentrion/131281 |
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