Committed Autonomy: Emma Tennant’s Faustine and Two Women of London
Several critics have noted the all-pervasiveness of extensive rewrites of a single textual precedent in contemporary British literature. This paper will argue that such transtextuality is far from being a uniquely aesthetic performance or mark of autonomy. What is at work here is a sort of cultural...
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| Formato: | Chapter |
| Idioma: | Inglês |
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Presses universitaires de la Méditerranée
2010
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| Acceso en liña: | https://doi.org/10.4000/books.pulm.14583 https://hdl.handle.net/20.500.13089/5lvq https://books.openedition.org/pulm/14583 |
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