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The Viktor Navorski Show: Surveillance, Paranoia and Reality TV in The Terminal

From Minority Report to The Terminal: Surveillance Ideology and the Scope of Spielberg’s CommitmentJudging from his filmography, and especially from the “trilogy of terror” (Hoberman 128) in which he “addressed the national trauma and the repressive political climate of the George W. Bush-Dick Chene...

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Detalhes bibliográficos
Autor principal: Lefait, Sébastien
Formato: Chapter
Idioma:Inglês
Publicado em: Presses universitaires de la Méditerranée 2018
Acesso em linha:https://doi.org/10.4000/books.pulm.5243
https://hdl.handle.net/20.500.13089/5lfy
https://books.openedition.org/pulm/5243
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