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The Autumn of the Matriarch: British Cinema and Fading Thatcherism in My Beautiful Laundrette, Priest and The Full Monty
The ostensibly dominant politics (Thatcherite), economics ("loadsamoney") and metaphysics ("there is no such thing as society") of the United Kingdom during the 1980s and early 1990s have been widely represented in British cinema. How have some of the most commercially successful...
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| フォーマット: | Chapter |
| 言語: | Inglês |
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Presses universitaires François-Rabelais
2000
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| オンライン･アクセス: | https://doi.org/10.4000/books.pufr.4344 https://hdl.handle.net/20.500.13089/5aei https://books.openedition.org/pufr/4344 |
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