Tom Murphy: the artist as informer
The very notion of the artist as an informer, in its felt discomfort, points to an ambivalence in our attitudes to both. Neither are assimilable. The act of informing, however useful or enabling it may occasionally be, is sensed not to be wholly honourable. The informer is suspect, not because his i...
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| Hovedforfatter: | |
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| Format: | Chapter |
| Sprog: | Inglês |
| Udgivet: |
Presses universitaires de Caen
1991
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| Online adgang: | https://doi.org/10.4000/books.puc.608 https://hdl.handle.net/20.500.13089/52cy https://books.openedition.org/puc/608 |
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