La barba di ambrogio
First, the author presents theoretical and methodological presuppositions: it is necessary, especially for the iconography of the post-Tridentin period, to explain sample details and encoded representations. Thus, after having studied the cultural, pastoral and ecclesiological context, the author fo...
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| Format: | Chapter |
| Language: | Italiano |
| Published: |
Éditions de la Sorbonne
2015
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| Online Access: | https://doi.org/10.4000/books.psorbonne.29322 https://hdl.handle.net/20.500.13089/4rb8 https://books.openedition.org/psorbonne/29322 |
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