Melodrama’s Breakdowns: Generic Subversion and Harriet Jacobs
The escape of a slave woman from her seducer should provide the charged atmosphere for what Peter Brooks recognizes in melodrama as the «Aesthetics of Astonishment» — an infantile scene of unameliorated psychic signs called Father, Daughter, Protector, Persecutor — a panorama scrubbed of its ambigui...
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| Formato: | Chapter |
| Idioma: | Inglês |
| Publicado em: |
Presses Sorbonne Nouvelle
1994
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| Acesso em linha: | https://doi.org/10.4000/books.psn.4736 https://hdl.handle.net/20.500.13089/4itw https://books.openedition.org/psn/4736 |
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