De l’objet à l’abject : la nature de l’œuvre d’art dans The Picture of Dorian Gray
My story is an essay on decorative art. It reacts against the crude brutality of plain realism. It is poisonous if you like, but you cannot deny that it is also perfect, and perfection is what we artists aim at. (Ellmann 303)La question de la nature de l’œuvre est centrale dans The Picture of Dorian...
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| Glavni autor: | |
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| Format: | Chapter |
| Jezik: | Francês |
| Izdano: |
Presses Sorbonne Nouvelle
2000
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| Online pristup: | https://doi.org/10.4000/books.psn.3922 https://hdl.handle.net/20.500.13089/4ilo https://books.openedition.org/psn/3922 |
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