4. Kazimir Malevich, Symbolism, and Ecclesiastic Orthodoxy
The abstract, non-objective Suprematist paintings of Kazimir Malevich serve as prime examples of spirituality in Russian modernist art. There is no greater testament to this fact than the symbolic placement of Black Square (fig. 5.2) at the launch of Suprematism at the 0.10 Exhibition in 1915 at the...
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| Formato: | Chapter |
| Idioma: | Inglês |
| Publicado em: |
Open Book Publishers
2017
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| Acesso em linha: | https://hdl.handle.net/20.500.13089/48gw https://books.openedition.org/obp/4648 |
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