4. Kazimir Malevich, Symbolism, and Ecclesiastic Orthodoxy
The abstract, non-objective Suprematist paintings of Kazimir Malevich serve as prime examples of spirituality in Russian modernist art. There is no greater testament to this fact than the symbolic placement of Black Square (fig. 5.2) at the launch of Suprematism at the 0.10 Exhibition in 1915 at the...
Na minha lista:
| Hovedforfatter: | |
|---|---|
| Format: | Chapter |
| Sprog: | Inglês |
| Udgivet: |
Open Book Publishers
2017
|
| Online adgang: | https://hdl.handle.net/20.500.13089/48gw https://books.openedition.org/obp/4648 |
| Tags: |
Ingen Tags, Vær først til at tagge denne postø!
|