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4. Kazimir Malevich, Symbolism, and Ecclesiastic Orthodoxy

The abstract, non-objective Suprematist paintings of Kazimir Malevich serve as prime examples of spirituality in Russian modernist art. There is no greater testament to this fact than the symbolic placement of Black Square (fig. 5.2) at the launch of Suprematism at the 0.10 Exhibition in 1915 at the...

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Detalhes bibliográficos
Autor principal: Mudrak, Myroslava M.
Formato: Chapter
Idioma:Inglês
Publicado em: Open Book Publishers 2017
Acesso em linha:https://hdl.handle.net/20.500.13089/48gw
https://books.openedition.org/obp/4648
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