Deconstructing the Doctrine of Disegno
The decades between 1540 and 1570 have seen the emergence, in Florence, of the idea that painting, sculpture, and architecture share fundamental characteristics because of their common dependency upon draftsmanship, or disegno. This conviction would have a considerable impact in the following decade...
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| Format: | Chapter |
| Idioma: | Inglês |
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Publications de l’Institut national d’histoire de l’art
2005
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| Matèries: | |
| Accés en línia: | https://doi.org/10.4000/books.inha.1820 https://hdl.handle.net/20.500.13089/3m6l https://books.openedition.org/inha/1820 |
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