Preface
My interest in Nigerian Art Music dates back to the late 70s when, as a composer-in-training at the University of Nigeria, Nsukka, I was interested in how a Nigerian composer of classical music can make himself relevant to his native audience without necessarily compromising artistic qualities expec...
保存先:
| 第一著者: | |
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| フォーマット: | Foreword |
| 言語: | Inglês |
| 出版事項: |
IFRA-Nigeria
1995
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| オンライン･アクセス: | https://doi.org/10.4000/books.ifra.605 https://hdl.handle.net/20.500.13089/3bw3 https://books.openedition.org/ifra/605 |
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