Création et nouveauté : L’analogie entre art et nature chez Bergson et Kant
This article shows how the analogy between art and nature provides a way of reconciling two seemingly opposed theses of Bergson’s aesthetics: art as revelation and art as creation. In Life and Consciousness (1911), Bergson describes nature as an “efflorescence of unforeseeable novelty,” where each s...
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| Auteur principal: | |
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| Format: | Artigo |
| Langue: | Francês |
| Publié: |
Société des amis de Bergson
2026
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| Accès en ligne: | https://doi.org/10.4000/16vwq https://hdl.handle.net/20.500.13089/16vwq https://journals.openedition.org/bergsoniana/4695 |
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