« His precious stones new-lost » : Iconotextes du Roi Lear
The blinding of Gloucester in Shakespeare’s King Lear (3.7) has mainly invited new historicist and psychological readings. An altogether different line of investigation suggests an intermedial connection with the stone-cutting motif in Dutch sixteenth- and seventeenth-century art. The well-documente...
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| 格式: | Artigo |
| 語言: | Francês |
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Presses universitaires de Strasbourg
2026
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| 主題: | |
| 在線閱讀: | https://doi.org/10.4000/16hyl https://hdl.handle.net/20.500.13089/16hyl https://journals.openedition.org/ranam/2308 |
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