Intermelodicity in Raoul Peck’s Cinema: Musical Narratives of Resistance, Memory, and Postcolonial Identity

This article examines the concept of intermelodicity in the cinematic works of Haitian-born filmmaker Raoul Peck, focusing on how musical elements function as narrative metasporic devices that transcend conventional film scoring to become integral components of meaning-making. Through a comparative...

詳細記述

書誌詳細

第一著者:	Lefrançois, Frédéric
フォーマット:	Artigo
言語:	Inglês
出版事項:	Presses universitaires des Antilles 2025
主題:	cinéma caribéen intermélodicité études cinématographiques récit musical métaspora intermelodicity Caribbean cinema film studies musical narrative metaspora
オンライン･アクセス:	https://doi.org/10.4000/165gq https://hdl.handle.net/20.500.13089/165gq https://journals.openedition.org/archipelies/5671
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