“always almost”—Rewriting, Translation and Erasure in Alice Oswald’s Poetry
A large part of Alice Oswald’s poetry engages with classical Greek myths. Memorial (2011) and Nobody (2019) are both rewritings of—respectively—The Iliad and The Odyssey, while Falling Awake (2016) contains versions of Orpheus’ death and the myth of Tithonus. A trained classicist, Oswald reads the o...
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| Formato: | Artigo |
| Idioma: | Inglês |
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Presses Sorbonne Nouvelle
2026
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| Acesso em linha: | https://doi.org/10.4000/164uz https://hdl.handle.net/20.500.13089/164uz https://journals.openedition.org/palimpsestes/9826 |
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