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Poetics and Deconstruction in Frantz Fanon’s Black Skin White Masks (1952)

This article suggests a fresh analysis of Fanon’s Black Skin and White Masks (1952) to argue that the author identifies the fundamental force behind his critical approach by fusing poetics and deconstruction. Rather that applying deconstruction to analyse the text, this analysis demonstrates how Fan...

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Detalhes bibliográficos
Autor principal: Gada, Said
Formato: Artigo
Idioma:Inglês
Publicado em: Centre de recherche en anthropologie sociale et culturelle 2025
Assuntos:
Acesso em linha:https://doi.org/10.4000/160sz
https://hdl.handle.net/20.500.13089/160sz
https://journals.openedition.org/insaniyat/35505
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