Questioni attributive nell’ambito del “Théâtre italien” di Gherardi. Testimonianze per l’identificazione di Monsieur B*** dall’‘entourage’ di Barante
During the reign of Louis XIV, the troupe of the Ancien Théâtre italien in Paris gradually transforms its theatre of masks, lazzi and improvisation, relying on French playwrights’ experience. Several comedies, performed at the Hôtel de Bourgogne between May 1694 and March 1697, are attributed to a p...
Furkejuvvon:
| Váldodahkki: | |
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| Materiálatiipa: | Artigo |
| Giella: | Italiano |
| Almmustuhtton: |
Rosenberg & Sellier
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| Fáttát: | |
| Liŋkkat: | https://doi.org/10.4000/15z2p https://hdl.handle.net/20.500.13089/15z2p https://journals.openedition.org/studifrancesi/68337 |
| Fáddágilkorat: |
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
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