«Senhoras que cantan y no cantan caresciendo de la theorica y pratica». Musical Theory and Liturgical Practice in the Monastery of Lorvão
This article addresses the transmission context of a formerly unknown text on music theory, copied on the verso of the last folio of a gradual (Lisbon, BnP, L.C. 238), which was part of a set of choirbooks commissioned by Catarina d’Eça, abbess of Santa María de Lorvão (1471-1521). The article discu...
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| Format: | Artigo |
| Langue: | Inglês |
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Université de Poitiers
2024
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| Accès en ligne: | https://doi.org/10.4000/15lru https://hdl.handle.net/20.500.13089/15lru https://journals.openedition.org/textusmusica/561 |
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