Necessity Has No Law: Brawl in Cellblock 99 and the Counterfeit Aesthetics of Trumpian Populism
The distribution strategy, aesthetics, and narrative of S. Craig Zahler’s 2017 film Brawl in Cell Block 99 reflect a shifting media culture of the American right since the rise and proliferation of Trumpian populism. The film’s principal character, an aggrieved white Christian patriot dedicated to p...
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| Natura: | Artigo |
| Lingua: | Inglês |
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SERCIA (Société d’études et de recherches sur le cinéma anglophone)
2025
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| Accesso online: | https://doi.org/10.4000/15gwh https://hdl.handle.net/20.500.13089/15gwh https://journals.openedition.org/filmj/2067 |
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