Exploring Porous Borders in Amitav Ghosh’s The Hungry Tide and Gun Island.
In The Hungry Tide (2004) and Gun Island (2019), Amitav Ghosh sheds light on how water borders, with the Sundarbans and the Venetian estuary, reveal the vulnerability of people and animals alike. Water constantly reshapes landscapes and conjures up an aesthetic of uncertainty. Building on ecocritica...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Artigo |
| Reo: | Inglês |
| I whakaputaina: |
Société des Études Postcoloniales
2025
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| Ngā marau: | |
| Urunga tuihono: | https://doi.org/10.4000/15985 https://hdl.handle.net/20.500.13089/15985 https://journals.openedition.org/pla/3779 |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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