The “infra-ordinary”

In this interview, Nadège Abadie shares her reflection on the hybridisation of practices between cinema, photography and sound. She postulates that documentary photography is a continuation or actualisation of humanist photography from the 1930s-1960s. Treating poetic realism as a link, she follows...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής

Κύριοι συγγραφείς:	Abadie, Nadège, Figini, Véronique, Jehel, Sophie
Άλλοι συγγραφείς:	Besnard-Scott, Laurence
Μορφή:	Artigo
Γλώσσα:	Inglês
Έκδοση:	Presses universitaires de Vincennes 2025
Θέματα:	photography documentary photography portraiture documentary film creation
Διαθέσιμο Online:	https://doi.org/10.4000/1568q https://hdl.handle.net/20.500.13089/1568q https://journals.openedition.org/hybrid/5960
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