Le rêve claudélien de l’ ïambe: retour sur l’“Orestie”
It is possible to detect in Paul Claudel’s poetry a metric rhythm inherited from Antiquity, which sometimes appears in contrast to some of the poet’s fanciful assertions. Claudel did not really apply a system to his language, and his theory of the iambus is not really a theory in the full sense of t...
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| Format: | Artigo |
| Idioma: | Francês |
| Publicat: |
Rosenberg & Sellier
2025
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| Accés en línia: | https://doi.org/10.4000/14ply https://hdl.handle.net/20.500.13089/14ply https://journals.openedition.org/studifrancesi/63461 |
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