Coppola’s Luminous Shadows: Bram Stoker’s Dracula
Dracula, that master of masks, can be read as the counterpart to the Victorian society that judges people by appearances. They both belong to the realm of shadows in so far as what they show is but deception, a shadow that seems to be the reality but that is in fact cast on a wall, a modern version...
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| Autor principal: | |
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| Format: | Artigo |
| Idioma: | Inglês |
| Publicat: |
SERCIA (Société d’études et de recherches sur le cinéma anglophone)
2019
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| Accés en línia: | https://doi.org/10.4000/14npl https://hdl.handle.net/20.500.13089/14npl https://journals.openedition.org/filmj/1385 |
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