Chapter 3. A Subversive Turn of Mind
Illustration 4.–Chaplin on the set of City Lights, 1931.Far from being puffed up with anti-Americanism as the filmmaker’s accusers claimed in the 1950s, Chaplin’s cinema indeed rather springs more out of fertile American soil than seems at first sight. It thus reflects that old debate on the other s...
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| Autor principal: | |
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| Formato: | Chapter |
| Idioma: | Inglês |
| Publicado em: |
Presses universitaires de Rennes
2023
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| Acesso em linha: | https://doi.org/10.4000/14n19 https://hdl.handle.net/20.500.13089/14n19 https://books.openedition.org/pur/276061 |
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