Ruining Image and the Image as Ruin: William Kentridge’s Trionfi e Lamenti in Rome

The essay examines South African visual artist William Kentridge’s monumental erase graffiti frieze Trionfi e Lamenti in Rome (2016), focusing on the artwork’s palimpsestic reworking of a visual archive of Rome and Roman triumphal iconography. Kentridge’s disturbing and ghostly procession along the...

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Detalles Bibliográficos

Autor Principal:	Mihálycsa, Erika
Formato:	Artigo
Idioma:	Inglês
Publicado:	Université de Toulon 2024
Assuntos:	collage ruin erase graffiti palimpsest contemporary art Roman triumphal art ruine graffiti effaçable palimpseste art contemporain art triomphal romain
Acceso en liña:	https://doi.org/10.4000/14e18 https://hdl.handle.net/20.500.13089/14e18 https://journals.openedition.org/babel/16517
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