George Frederic Watts, between Sculpture and Painting: towards a “Sculpturality of Colour”

This article focuses on Victorian artist George Frederic Watts through a material and cross-media approach, which focuses on colour. Starting with a multimedia case study, I first examine how G.F. Watts considered painting and sculpture as “sister arts,” in the words used by English poet Algernon Sw...

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Autore principale:	Cador, Joy
Natura:	Artigo
Lingua:	Inglês
Pubblicazione:	SAIT 2025
Soggetti:	couleur intermédialité peinture sculpture matérialité marbres d’Elgin paragone surface texture traduction. colour intermediality painting materiality Elgin marbles translation.
Accesso online:	https://doi.org/10.4000/149v9 https://hdl.handle.net/20.500.13089/149v9 https://journals.openedition.org/polysemes/12417
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