La musique et le mal : possession diabolique dans Trilby (1894) de George du Maurier et The Lost Stradivarius (1895) de John Falkner Meade
These two fin-de-siècle fantastic novels present music (opera-singing in Trilby and violin-playing in The Lost Stradivarius) as a supernatural agent enabling the singer or player to get access to a superhuman status and transcendental dimension. However, the function of music in these books is utter...
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| Formato: | Artigo |
| Idioma: | Francês |
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Presses universitaires de la Méditerranée
2004
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| Acesso em linha: | https://doi.org/10.4000/147tg https://hdl.handle.net/20.500.13089/147tg https://journals.openedition.org/cve/16451 |
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