“Historical fiction is back”: (Non)Fictional Pasts and Presents in Fred Khumalo’s metahistorical romance, The Longest March
This article examines the ways Fred Khumalo’s second historical novel, The Longest March, blends different genres – from the use of gothic tropes to the rewriting of historical romances – to reflect on both the fabricated and limited nature of narrative, as well as its necessity and potential in the...
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| Format: | Artigo |
| Sprog: | Inglês |
| Udgivet: |
Société des Études Postcoloniales
2024
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| Fag: | |
| Online adgang: | https://doi.org/10.4000/1422g https://hdl.handle.net/20.500.13089/1422g https://journals.openedition.org/pla/2388 |
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