On the Search for a Tripartite Identity: Paule Marshall’s Upward Mobility Narrative in Praisesong for the Widow
Paule Marshall’s Praisesong for the Widow (1983) follows the post-Civil Rights Movement, African American literary trend of presenting methods of black characters resisting white supremacy through an embrace of black culture and black life. It is through Marshall’s main character, Avey, that readers...
Kaydedildi:
| Yazar: | |
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| Materyal Türü: | Artigo |
| Dil: | Inglês |
| Baskı/Yayın Bilgisi: |
Société des Anglicistes de l'Enseignement Supérieur
2025
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| Online Erişim: | https://doi.org/10.4000/13ofu https://hdl.handle.net/20.500.13089/13ofu https://journals.openedition.org/angles/8627 |
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