Le «sonnet de comparaison» dans “L’Hécatombe à Diane”: un espace propice au surgissement du «je»
By drawing up a typology of the ‘sonnets of comparison’ in L’Hécatombe à Diane and then comparing them with those of some contemporary poets, this article examines Agrippa d’Aubigné’s own strategy for introducing the first person singular at the beginning of the tercets, and thus misappropriating th...
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| Format: | Artigo |
| Sprache: | Francês |
| Veröffentlicht: |
Rosenberg & Sellier
2024
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| Online-Zugang: | https://doi.org/10.4000/13e0n https://hdl.handle.net/20.500.13089/13e0n https://journals.openedition.org/studifrancesi/60316 |
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