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The Music under the Stone: A Reading of Alex La Guma’s The Stone Country

This paper recognizes the critical divide occasioned by Alex La Guma’s The Stone Country, providing examples of theoretical positioning from the Formalist and Marxist schools, respectively. In a re-reading of the text, motivated by the author’s own metapoetic stance, it argues for the opening up of...

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Detalhes bibliográficos
Autor principal: Gray, Rosemary
Formato: Artigo
Idioma:Inglês
Publicado em: SEPC (Société d’études des pays du Commonwealth) 2001
Acesso em linha:https://doi.org/10.4000/1248v
https://hdl.handle.net/20.500.13089/1248v
https://journals.openedition.org/ces/12078
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