‘Is that not Titian?’ Echoes of Venice in George Frederic Watts’s Self-Portraits, between Self-Fashioning and Artistic Practice

The reception of Venetian Renaissance painters had a profound effect on the creation of a British tradition of painting and played an important role in the development of the portrait as a typically British genre. This is precisely what this article aims to explore, through the emblematic case of th...

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Autor Principal:	Vitacca, Sara
Formato:	Artigo
Idioma:	Inglês
Publicado:	Université Bourgogne Europe 2024
Assuntos:	photographie réception Watts (George Frederic) Titien Renaissance vénitienne Angleterre victorienne materialité auto-portraits pictorialisme photography reception materiality Titian Venetian Renaissance art Victorian art self-portraits pictorialism
Acceso en liña:	https://doi.org/10.4000/122dm https://hdl.handle.net/20.500.13089/122dm https://journals.openedition.org/interfaces/8743
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