Rebellious Enthusiasm, Ambivalent Forms: On Freedom and Bondage in Tyehimba Jess’s Olio

This article considers Tyehimba Jess’s representation of the lives of several historical African American musicians from the post-emancipation period in his 2016 collection Olio. Reading Olio in the context of African American musical traditions, it considers how Jess’s syncopated sonnet forms appro...

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Autore principale:	McCracken, Molly
Natura:	Artigo
Lingua:	Inglês
Pubblicazione:	European Association for American Studies 2024
Soggetti:	music race African American poetry Henry “Box” Brown Millie-Christine McKoy Olio ragtime sonnet form Thomas “Blind Tom” Wiggins Tyehimba Jess
Accesso online:	https://doi.org/10.4000/11xaz https://hdl.handle.net/20.500.13089/11xaz https://journals.openedition.org/ejas/22155
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