‘Hyperion’s curls, the front of Jove himself’ (3.4.56): mythological portraits in Hamlet’s closet scene
The article shows how Renaissance humanism — the rediscovery of classical learning — is dramatised in Hamlet to pit an idealised past against a corrupted present. It focuses on the ‘closet scene’ (3.4), that, for the benefit of Gertrude’s eyes — and the audience’s —, represents Hamlet’s father, a so...
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| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
IRCL (UMR 5186) CNRS/Université Paul-Valéry Montpellier 3
2024
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| Assuntos: | |
| Acesso em linha: | https://doi.org/10.4000/11njg https://hdl.handle.net/20.500.13089/11njg https://journals.openedition.org/asf/8352 |
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