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After the Break
Audiences

Avoiding the Subject
Battlefields of Negotiation

Between Stage and Screen
China's iGeneration - Cinema and Moving Image Culture for the Twenty-First Century

Cinephilia
City of Darkness, City of Light

European Cinema
Fabricating the Absolute Fake

Figuring the Past
Film Architecture and the Transnational Imagination

Film Festivals
Film Remakes as Ritual and Disguise

From Grain to Pixel
Herr Lubitsch Goes to Hollywood

Hitchcock's Motifs
Jean Desmet and the Early Dutch Film Trade

Malaysian Cinema, Asian Film
Past for the Eyes

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