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From Osaka to the Gion: Vernacular Modernism in Kenji Mizoguchi’s Osaka Elegy (1936) and Sisters of the Gion (1936)
One of the most innovatory models for re-appraising the way in which popular cinema is able to articulate social and cultural change has been provided by Miriam Hansen’s idea of "vernacular modernism" (Hansen 2000). Hansen examines how cinema provided a popular, quotidian modernism in the...
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| Natura: | Artigo |
| Lingua: | Inglês |
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The International Academic Forum
2017-07-01
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| Serie: | IAFOR Journal of Media, Communication & Film |
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| Accesso online: | https://iafor.org/journal/iafor-journal-of-media-communication-and-film/volume-4-issue-1/article-6/ |
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