From Osaka to the Gion: Vernacular Modernism in Kenji Mizoguchi’s Osaka Elegy (1936) and Sisters of the Gion (1936)

One of the most innovatory models for re-appraising the way in which popular cinema is able to articulate social and cultural change has been provided by Miriam Hansen’s idea of "vernacular modernism" (Hansen 2000). Hansen examines how cinema provided a popular, quotidian modernism in the...

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Bibliographic Details
Main Author: Paul Spicer
Format: Artigo
Language:Inglês
Published: The International Academic Forum 2017-07-01
Series:IAFOR Journal of Media, Communication & Film
Subjects:
Japanese cinema
culture
Mizoguchi Kenji
Isuzu Yamada
Vernacular Style
mise en scène
Miriam Hansen
Margaret Lantis
tradition
modernity
Online Access:https://iafor.org/journal/iafor-journal-of-media-communication-and-film/volume-4-issue-1/article-6/
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