Ngā hua rapu - Indrayuda Indrayuda

The Existence of Local Wisdom Value Through Minangkabau Dance Creation Representation in Present Time mā Indrayuda Indrayuda

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Continuity of Tradition Dance: Acedemicians’ Intervention on Artists and Performing Arts Groups mā Indrayuda Indrayuda

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TARI TRADISIONAL DALAM RANAH TARI POPULER: KONTRIBUSI, RELEVANSI, DAN KEBERLANJUTAN BUDAYA mā Indrayuda Indrayuda

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Acting, Movements, and the Three Important Components Configuration in Marginalizing Randai as an Entertainment Show mā Indrayuda Indrayuda

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Women domination in the Galombang dance: between the customary idealism and the market use mā Indrayuda Indrayuda, Ardipal Ardipal

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Changes in Form and Style in Randai Performance at The Minangkabau Diaspora in Malaysia mā Indrayuda Indrayuda, Mohd Effindi Samsuddin

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Randai as a Social Representation Minangkabau Society of the Past mā Indrayuda Indrayuda, Marzam Marzam, Mohd. Effindi Samsudin

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The Application of Asa Berger Humour Technique by Sabri Yunus from The Dramaturgy Perception in “Karoot Komedi” mā Mardiana Ismail, Indrayuda Indrayuda, Mohd Effindi Bin Shamsuddin

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An analysis of the correlation and significance of greeting terms in Indonesian presidential and vice presidential candidates corpus mā Ermanto Ermanto, Vicno Triwira Dhika JR, Havid Ardi, Novia Juita, Suryanef Suryanef, Indrayuda Indrayuda, Norliza Jamaluddin

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